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The Legality of AI-Generated Art: Copyright Ownership and Current Developments Vol. 13, Issue 1

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dc.contributor.author Dinesh Deckker
dc.contributor.author Subhashini Sumanasekara
dc.date.accessioned 2026-04-16T06:05:46Z
dc.date.available 2026-04-16T06:05:46Z
dc.date.issued 2025
dc.identifier.uri http://hdl.handle.net/123456789/20562
dc.description PP. 24 ill; en_US
dc.description.abstract The emergence of AI-generated artwork is challenging traditional notions of authorship, originality, and ownership. As a result, copyright norms worldwide are being reassessed. This study covers four major jurisdictions: the US, the European Union, the UK and China, through current theories and recent court cases. The data shows that the US and European Union adhere to strict rules that require human authorship, while the UK and China are exploring more flexible models. We also examine industry responses and issues of privacy and ethics in relation to the unlicensed use of copyrighted material for AI training. Based on the research on responsible AI and frameworks that prioritize transparency, fairness, and privacy, we suggest that a new legal category for machineassisted creativity should be established. This would recognize both human creators’ dignity and economic interests while emphasizing joint authorship. The analysis concludes with recommendations for the visual arts sector, including enforceable rules that require transparency around terms and conditions, a licensing system, ethical audits, and global governance of the sector through organizations such as WIPO en_US
dc.language.iso en en_US
dc.publisher © Lahore School Of Economics en_US
dc.subject Business en_US
dc.title The Legality of AI-Generated Art: Copyright Ownership and Current Developments Vol. 13, Issue 1 en_US
dc.type Article en_US


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